Sony’s newest Cinema Line camera isn’t just a cut-down version of the FX3 — the FX2 brings over some serious hardware from its bigger siblings while introducing hybrid features that actually matter. Think 33MP stills, full-frame 4K video, slow motion, and an articulating electronic viewfinder. That’s not something you see every day in this size.
At just 679 grams, the FX2 slots in between Sony’s full cinema cams and their more traditional mirrorless lineup — and it’s pretty clear who it’s for. Solo shooters, indie filmmakers, documentary crews, and content creators who want pro-level gear without rigging up a full production van.
Full-frame filmmaking meets hybrid stills
The FX2 packs a 33MP back-illuminated Exmor R sensor — same vibe as the FX3 and FX6 — with support for 15+ stops of dynamic range in S-Log3. It supports dual base ISO (800 and 4000), up to 4K 60p in All-Intra 10-bit 4:2:2, and 120fps in Full HD for those juicy slow-motion shots. And yes, there’s a built-in cooling system, so you can record for over 13 hours straight at 4K 60p.
But the real surprise? This thing also doubles as a stills camera. You can shoot 33MP stills, flip between stills and video with a dedicated switch, and even preview custom LUTs directly on the camera for consistent on-set colour. It’s not a full replacement for your α7R series, but for hybrid shooters, it’s close.
A new EVF, real-time AF, and actual usability
Sony’s put real effort into making the FX2 usable straight out of the box. There’s a new 3.68-million-dot EVF with a deep eyepiece for blocking ambient light, a fully articulating touchscreen, and a flat-top design with 1/4-20” mounting points for cageless rigs. If you opt for the top handle version, you’ll get two XLR/TRS inputs plus a 3.5mm stereo mic jack for four-channel audio recording.
Autofocus isn’t just fast — it’s smart. Sony’s latest Real-time Recognition AF tracks not only humans but also animals, birds, insects, vehicles, and switches modes automatically. Features like focus breathing compensation, AF assist, and customisable AF transitions show Sony’s finally thinking like filmmakers do.
Built for motion — and vertical too
The FX2 also introduces Auto Framing and Framing Stabiliser, two AI-based features that can keep your subject locked in the frame even when the camera’s stationary or you’re moving. For handheld work, there’s Active and Dynamic Active stabilisation, new to the Cinema Line.
And if you’re shooting for social? Sony’s built-in vertical UI support makes 16:9 vertical shooting less of a pain.
Lighter footprint, more accessibility
Like other recent Sony gear, the FX2 is part of Sony’s “Road to Zero” environmental initiative — produced in facilities powered by renewable energy. It also supports a Screen Reader and Display Magnification, making it more accessible to creators with visual impairments.
South African pricing and availability
The Sony FX2 will be available in South Africa from August 2025, priced at R61,999 (body only) and R71,999 (with top handle). That’s not cheap, but it’s also not outrageous given what you’re getting: a fully capable cinema camera with hybrid stills performance in a package that fits in your backpack.